“Theatre of Thought” measures the possibility of a theatre based on languages in states of trans, from which emerges its own paradox of represen¬tation and the opening to a language-in-between. Absence of the word, transcriptions, alterations of the relationships of sources are putting forward the possibility of a-performance-in-the-form-of- a-book or of a-book-in-the-form-of-a-performance.
This is the first publication of the Critique & Hu¬manism collection “One Day I Discovered To My Own Great Astonishment”, dedicated to the rela¬tion between theoretical thinking and performing arts. The name of the series is an homage to Sigmund Freud’s ‘Interpretation of Dreams’.
